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The omicron variant of the coronavirus has landed with a thud on a popular year-end cultural event in Japan: concerts of Beethoven’s Symphony No. 9 “Choral.”
Because border restrictions have been tightened due to concerns over the variant, conductors and singers scheduled to perform the symphony with Japanese orchestras later this month are now barred from entering the country, forcing the orchestras to scramble to find replacements.
Productions of Beethoven’s ninth symphony in December are important for orchestras in Japan as the concerts are a big draw.
Due to the entry restrictions, Italian conductor Fabio Luisi and three soloists who had been scheduled to perform with the NHK Symphony Orchestra can no longer enter Japan. To fill the gap, the orchestra has appointed conductor Tadaaki Otaka and three Japanese singers to perform. The Yomiuri Nippon Symphony Orchestra has replaced Francesco Angelico, who was to conduct six performances of the Ninth in Tokyo and Osaka, with John Axelrod, who is already in Japan.
Kazushi Ono, the music director of the Tokyo Metropolitan Symphony Orchestra, was planning to return to his home in Brussels after finishing an opera production at the New National Theatre, Tokyo, but hastily changed his schedule to replace a conductor who was supposed to conduct three concerts featuring the symphony from Dec. 24-26.
“To be honest, I wanted to take a break,” Ono said, “but, as music director, I have responsibilities, so I’ll do my best.”
The New Japan Philharmonic and the Tokyo Philharmonic Orchestra have also been forced to replace conductors.
Even if the performances are held, orchestras are heavyhearted as concertgoers were hoping to hear the work of the originally scheduled conductors and singers.
“We plan concerts several years in advance, but there’s nothing we can do if we’re suddenly told, ‘No entry to Japan from tomorrow,’” said an orchestra’s public relations official. “We feel bad for failing to meet the audiences’ expectations.”
Koichi Iriyama, 58, president of the Japan Association of Classical Music Presenters, hopes to get advanced notice as early as possible in the future.
“It couldn’t be helped this time because a quick response [to the situation] was required, but I feel uneasy about the future,” Iriyama said.
